Bach Bibliography Search Result - Ordered Chronologically

Author : Beach, David W.
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Beach, David W.:   The Origins of Harmonic Analysis. JMTheory 18/2 (Autumn 1974), 274-306.
	2.	Beach, David W.; Thym, Jurgen:   The True Principles for the Practice of Harmony by Johann Philip Kirnberger. JMTheory 23/2 (Autumn 1979), 163-226.
	3.	Beach, David W.:   The submediant as third divider: Its representation at different structural levels. In: Music theory in concept and practice. Rochester: U. of Rochester, 1997, p. 309-335
	4.	Beach, David W.:   Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) [contents]
	5.	Beach, David W.:   Analyzing Bach and how Bach actually wrote. JSchenkerStud 3 (2008), 211-221. A response.
	6.	Beach, David W.:   Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. MTheorySpec 30/1 (Spring 2008), 1-34.
	7.	Beach, David W.; Goldenberg, Yosef (eds.):   Bach to Brahms: Essays on musical design and structure. Rochester, NY: University of Rochester, 2015. 326p. ISBN: 1-58046-515-3; 978-1-58046-515-1. (= Eastman studies in music, 122) [contents]
	8.	Beach, David W.; Mak, Su-yin (eds.):   Explorations in Schenkerian analysis. [Festschrift in memory of Edward Laufer (1938-2014)] - Rochester, NY: University of Rochester, 2016. xii, 359p. ISBN: 978-1-58046-559-5; 1-58046-559-5. (= Eastman studies in music, 136) [contents]